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GALLERY

Artworks made using marine are placed in this gallery. Contact us if you want your work to be here.

miocárdio [myocardium] | sofia galvão

first of four solos of the spectacle "3 catástrofes sobre o prazer" [3 catastrophes on pleasure]

 

This solo is about 13' long, and marine is used for lighting and sound control. Each light bulb intensity is computed independently according to the dancer's position on stage, with different sensibilities depending on what part of the solo is being performed. Sound volume is adjusted automatically according to performers distance from the public (original idea was using a 5.1 system for spatiality, but due to theatre restrictions it was not possible).

bim bom [bim bom] | heitor dutra

second of four solos of the spectacle "3 catástrofes sobre o prazer" [3 catastrophes on pleasure]

 

This solo is about 15' long, and marine is used for projections control. Sometimes, images are pixelated or switched according to wich plane the dancer is, or a grid of GIFs (with no interactive behaviour) is shown.

projeto melancia [watermelon project] | luíza lira

third of four solos of the spectacle "3 catástrofes sobre o prazer" [3 catastrophes on pleasure]

 

This solo is about 30' long, and marine is used for switching sound tracks and light setups according to performer's position (after a few seconds over a marker) or a specific gesture.

nunca fomos humanos!!1! [we've never been humans!!1!] | daniel de andrade lima

last solo of the spectacle "3 catástrofes sobre o prazer" [3 catastrophes on pleasure]

 

This solo is about 25' long, and marine is used for projections control, in two ways. First, a simple skeleton is drawn in stage, imitating performers movements. Then, a particles system with 3000 particles is projected, with a set of different behaviours responding to different features of performer's movement.